Vampire hunters tackle an ancient evil. Innovative, brisk and for-its-time revolutionary version of the gothic horror classic, here telescoped admirably into a pacy visual thriller. Played straight, fluidly directed and still influential. Recommended. Eight sequels followed.
Batman encounters Catwoman and The Penguin, who is being manipulated to become mayor of Gotham City. Darker, confident sequel, with a pervy streak a mile wide running right through it. Pushing the limits of weirdness for a tentpole release, Batman Returns is both a franchise and genre high point.
Batman creates – and battles – the Joker. Mixing expressionism, noir, Hammer horror and pop art, the 1989 Batman is well-tailored from patches and the need to service a guest villain performance, even if it doesn’t really have a story. Still fun, tho, with a lovely mix of technologies working together. Best of all, it feels like a comic book. Sequels followed.
Five men on a train have their fortunes told by the mysterious Dr Schreck. The first Amicus horror anthology is tremendous, mixing classic tropes with modish 60s pop culture, delivering a suite of chills and thrills backed up by expert playing from an unparalleled ensemble cast.