Sicario 2: Soldado (AKA Sicario 2: Day of the Soldado) (2018, dir. Stefano Sollima)

Graver enlists Alejandro once more; this time to start a war between cartels. A focus on people trafficking rather than drugs second time around; terrifically stylish and well-executed, if flirting with some reactionary ideas.

Coco (2017, dir. Lee Unkrich & Adrian Molina)

A boy desperate to become a musician finds himself trapped in the afterlife. Sprightly quest narrative drawing on Mexican folklore; superficial similarity to The Book of Life dampens its impact, though this is a decent Pixar effort in its own right.

Sicario (2015, dir. Denis Villeneuve)

A female FBI agent gets in over her head when she volunteers to liaise with an inter-agency anti-drugs team. Smart, bleak and suspenseful thriller with great performances and some standout sequences. Recommended.

Happy Hunting (2016, dir. Joe Deitsch & Louie Gibson)

An alcoholic drifter stumbles into a town where the annual manhunt is about to begin. Bleak borderlands horror/thriller of trouble down Mexico way. Lots to recommend it if you like your meat gamey.

Want a second opinion? Here’s Xussia’s take.

Spectre (2015, dir. Sam Mendes)

A political attempt to neuter M16 is found to be the work of an enemy organisation. The first two acts work well, but the last hour falls apart through trying to stitch the Craig-era Bond films into a single narrative with an awkwardly-revealed Blofeld at its centre.

¡Three Amigos! (1986, dir. John Landis)

Three silent movie actors are hired as gunmen to defeat a Mexican bandit. Inevitably patchy, but with moments of genius and genuine heart, this early Hollywood/Seven Samurai spoof passes the time admirably and is generous to its large cast.

2 Guns (2013, dir. Baltasar Kormakur)

Two undercover agents get in over their heads with cross-border drug traffickers and worse. Sprightly mismatched-buddies comedy thriller with engaging leads, bags of action, and a decent supporting cast all working well. Thoroughly entertaining.