Boss Level (2021, dir. Joe Carnahan)

An ex-soldier caught in a time loop fights to save his wife and child. Slightly wobbly Groundhog Day / Source Code variant, heavy on slapstick kills. Tonally all over the shop, which is a shame. Frank Grillo is as good value as ever, though, and there’s a strong supporting cast, plus some decent action choreography late on.

Here’s Lemonsquirtle’s take.

And here’s the trailer.

Fatman (2020, dir. Eshom Nelms & Ian Nelms)

A spoiled child takes out a contract on Santa, who is struggling with responsibilities and finances. Odd black comedy mix of action, fantasy and character study that works if you go with it, though not for all. Still, it’s well-made, with plenty of interesting ideas, and not self-conscious about its cult potential.

Here’s the trailer.

Dragged Across Concrete (2018, dir. S. Craig Zahler)

Two suspended detectives needing money plan to hijack the proceeds of a crime. Slow-burn minimalist neo-noir procedural thriller that takes time with its characters, allowing you to understand – if not agree with – their actions. Long, but enthralling, and brutal at times. Recommended.

Mad Max: Beyond Thunderdome (1985, dir. George Miller & George Ogilvy)

Max Rockatansky encounters a fledgeling civilisation in the desert. The third (though chronologically fourth, after Fury Road) Mad Max flick is glossier, talkier and generally lighter than its predecessors, but nevertheless works as a hugely detailed action fantasy riffing on Peter Pan and Riddley Walker while delivering a fantastic chase sequence.

How I Spent My Summer Vacation (AKA Get The Gringo) (2012, dir. Adrian Grunberg)

A nameless bankrobber has to work his way out of a Mexican prison while evading the mob. Splendidly stylised black comedy action thriller, making best use of its star’s talents, and exploiting every opportunity to indulge itself in grim jokey chuckles.