Downsizing (2017, dir. Alexander Payne)

A man is forced to re-evaluate his life after volunteering to be miniaturised. Quirky fantasy which can’t work out if it’s social satire, science fiction, or romance, but has a go at all three. Defiantly odd, though, which is no bad thing.

Green Zone (2010, dir. Paul Greengrass)

An idealistic soldier discovers the truth about WMDs in 2003 Iraq. Sleek action-led thriller which dramatises a key event in recent world history. Simplistic in its approach but undeniably thrilling, with several great sequences.

The Rainmaker [AKA John Grisham’s The Rainmaker] (1997, dir. Francis Ford Coppola)

A young lawyer takes down a callous insurance company. Slick, mainstream, and linear legal thriller with no surprises but plenty of feel-good under-dog moments. Damon in Mary Sue mode. A professional, anonymous job from its former genius writer/director.

Jason Bourne (2016, dir. Paul Greengrass)

Jason Bourne resurfaces to deal with his past. Fifth in the franchise after the side-step of Legacy finds Bourne on top form; a story-light and linear but propulsive visually-driven action thriller, designed more as a sensory experience than narrative.

The Great Wall (2016, dir. Zhang Yimou)

Two European brigands help China defend its empire from monsters. Intermittently undeniably spectacular, with some keen use of 3D, this is nevertheless a very straightforward fantasy siege movie which feels oddly bland, secondhand, and compromised.