Deadpool 2 (2018, dir. David Leitch)

After the death of his girlfriend, Deadpool finds redemption in protecting a young mutant. Confident sequel with the same approach as before, mixing cartoony violence, baroque language and metatextual gags.

Avengers: Infinity War (2018, dir. Anthony Russo & Joe Russo)

The Avengers and the Guardians of the Galaxy team up with others to prevent Thanos obtaining all the infinity stones. Dayglo all-star Marvel tag-team mash-up. For series fans only; tho it’s kinda fun while it’s on, CG fights get dull. TV, not a movie.

Black Panther (2018, dir. Ryan Coogler)

The new king of a hitherto secret technologically-advanced African nation faces a range of challenges to his accession. Supremely confident addition to the Marvel cinematic canon, which tells its origin story in an Afrofuturist way, ringing many changes on the template.

Thor: Ragnarok (2017, dir Taika Waititi)

Thor and Loki must battle their forgotten sister to regain Asgard. Hugely entertaining and impressively throwaway piece of popcorn tosh. Everyone is having a whale of a time, even if there’s minimal actual story or incident. Lots of fun all round though, especially in the details.

Another perspective? Here’s Lemonsquirtle’s take.

Fantastic Four (2015, dir. Josh Trank)

Five young scientists gain superpowers after opening an interdimensional portal. Unnecessary reboot/origin story which takes an age to get going and doesn’t really have a plot. A strong and well-chosen (though hardly teenage) cast wasted on rote material and some variable FX.

Doctor Strange (2016, dir. Scott Derrickson)

A vain medic discovers new powers after searching for a cure for lost surgical skills. Satisfactory origin story which suffers from having its source material plundered by other popcult properties, tho gets revenge by borrowing world-bending imagery from Inception.

Fancy a second opinion? Here’s Lemonsquirtle’s take.