Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019, dir. Martin Scorsese)

A quasi-documentary (archive footage, plus new interviews and other – fabricated –  material) about Bob Dylan’s 75-76 US tour. Splendid and slippery attempt to capture/deconstruct a party on wheels masterminded by a playful set of hosts: Dylan, then Scorsese.

Hugo (2011, dir. Martin Scorsese)

A boy lives in a railway station clock. Splendid family adventure, as well as a love letter to early cinema. Scorsese enjoying playing in a new genre and with some fresh cinematic toys, not least the remarkable use of 3D. Hugely recommended.

GoodFellas (1990, dir. Martin Scorsese)

The rise and fall of mob informant Henry Hill. Peerless, confident, cine-literate story of a generation of Mafia-related life, which stands also as a lesson in popular music, Italian cookery, and the storytelling possibilities of cinema. Magical from first frame to last.

Raging Bull (1980, dir. Martin Scorsese)

Biopic of Italian-American boxer Jake LaMotta. Unflinching warts-and-all account of the turbulent life and times of the New York middleweight, based on LaMotta’s autobiography. One of Scorsese’s finest, and thus one of the greatest American films.