Infinite (2021, dir. Antoine Fuqua)

A man with mental health issues finds that he is the current incarnation of an immortal, and that a war wages for Earth’s survival. Clumsy and often incoherent Highlander / The Matrix / The Old Guard wannabe for lovers of the later Fast and the Furious movies. No-one comes out of this with much dignity. Not great at all.

Here’s the trailer.

Pain and Gain (2013, Dir. Michael Bay)

A gang of body builders in Florida attempt the kidnap and extortion of a businessman. Loosely based on the actual events and court case surrounding the ‘Sun Gym gang’, this outrageous film is entertaining but struggles between crime dramatisation and glorification. A good cast works well here though. Watch it and decide!

Pain and Gain (2013, Dir. Michael Bay)

The Perfect Storm (2000, Dir. Wolfgang Petersen)

A fishing vessel and crew head into mortal danger during an enormous storm. Genuinely impressive VFX lend this true story adaptation some real weight. The script is a little corny and the acting suffers as a result – but there is no denying the film delivers some punch. Worth a watch!

The Perfect Storm (2000, Dir. Wolfgang Petersen)

Spenser Confidential (2020, dir. Peter Berg)

A Boston ex-cop, fresh from jail, partners with his new roommate to unravel the conspiracy that led to his imprisonment. A loose adaptation of a post-Robert B Parker Spenser novel, and not a good one. A by-the-numbers comedy thriller that doesn’t do its characters justice, despite a decent cast.

Mile 22 (2018, dir. Peter Berg)

An elite anti-terrorist squad battles to get an asset across a hostile city. Clunky actioner mistaking thuggishness for badassdom; unlikeable characters don’t help, and the wasting of Uko Iwais is nigh unforgivable. Fourth and least of the Berg/Wahlberg flicks to date.

All The Money In The World (2017, dir. Ridley Scott)

A dramatisation of the 1973 kidnapping of John Paul Getty III. Well-acted, good-looking though insubstantial retelling of a famous case; not quite a serious drama or a straightforward thriller, and the weaker for the indecision.

Deepwater Horizon (2016, dir. Peter Berg)

Drama based on the true story of a drilling rig disaster. Another effective Berg/Wahlberg collaboration after Lone Survivor (and the subsequent Patriots’ Day) that tells a true-life tale with an emphasis on ordinary people, camaraderie, and a little patriotism.

Lone Survivor (2013, dir. Peter Berg)

A covert US incursion in Afghanistan goes awry. Effective mission-gone-bad thriller which sensibly avoids close scrutiny of politics, focusing on Hawksian camaraderie and on delivering a sensational sustained action set-piece.

2 Guns (2013, dir. Baltasar Kormakur)

Two undercover agents get in over their heads with cross-border drug traffickers and worse. Sprightly mismatched-buddies comedy thriller with engaging leads, bags of action, and a decent supporting cast all working well. Thoroughly entertaining.