Seberg (2019, dir. Benedict Andrews)

Actor Jean Seberg struggles with her personal life, civil rights activism, and the pressures of fearing FBI surveillance. Decent biopic focusing on 1968-1970; a very solid cast and subtle direction help, even if the script doesn’t get us close to the protagonist. Lots to appreciate, not least the production design and performances.

Donnybrook [AKA: Below The Belt: Brawl at Donnybrook] (2018, dir. Tim Sutton)

A bare-knuckle boxer, a meth dealer, and a cop’s lives intersect over drugs, money, and a fight tournament. Lean, autumnal adaptation of the Frank Bill novel. Very different to its source material in tone, but nevertheless a rewarding movie, with something to say about working-class America as well as delivering in genre terms. Recommended.

Once Upon A Time … In Hollywood (2019, dir. Quentin Tarantino)

In 1968 LA, a fading action star struggles with his future prospects. A stunning evocation of late 60s Hollywood, packed with ideas, in-jokes, good ideas, and pop-culture geekery. A shaggy dog story that meanders, but which goes into some startling – and just-about justified – places. Recommended.

Death Note (2017, dir. Adam Wingard)

A teenager finds a notebook with the power to compel a death-demon. Manga/J-horror Americanisation; effective if you go with its dream-logic (the Phantasm movies get a shout-out as a clue), with some good performances and strong direction from Wingard.