The 355 (2022, dir. Simon Kinberg)

Five operatives – each female – team up to retrieve a codebreaking device. Uninspired globetrotting spy thriller with a good cast (including Dear Old Jason Flemyng on Brit villain duties) largely wasted. A tickbox script, flaccid direction, and flat action design give producer Chastain and colleagues little to sell. Meh, unfortunately.

Here’s the trailer.

Little Monsters (2019, dir. Abe Forsythe)

A loser musician and a kindergarten teacher defend a class visiting a petting zoo from zombies. Sprightly horror-comedy which balances humour, romance, gross-out violence and crassness in expert measure. Loads of fun, some heart, some songs, and a selection of great gags. Recommended.

Us (2019, dir. Jordan Peele)

A family on holiday is terrorised by doppelgangers. Initially slow-burning, but ultimately incendiary horror movie with a few satirical flourishes, and brains as well as blood. Repays multiple viewings, and close attention throughout. Recommended.

Want another perspective? Here’s Xussia’s.

Black Panther (2018, dir. Ryan Coogler)

The new king of a hitherto secret technologically-advanced African nation faces a range of challenges to his accession. Supremely confident addition to the Marvel cinematic canon, which tells its origin story in an Afrofuturist way, ringing many changes on the template.

The Jungle Book (2016, dir. Jon Favreau)

A live-action/mocap/CG version of the Disney animation based on the Kipling stories. And pretty good it is too, with a stunning central performance and plenty of visual wonderment if you don’t mind a little uncanny valley in your family-friendly entertainment.