All The Devil’s Men (2018, dir. Matthew Hope)

A manhunt for a rogue CIA operative. Utterly rote action flick that aspires for grittiness, but is hampered by a clunky script more focused on working around a meagre budget than on being inspired into creativity by it, and by a po-faced lead performance. A guesting Bill Fichtner enlivens things early on.

Angelica (2015, dir. Mitchell Lichtenstein)

In late-Victorian London, a young mother is troubled by what might be a poltergeist. Handsome but odd cod-Freudian drama which flirts with fantasy, Jekyll & Hyde-isms, and unlocked sexuality in all kinds of ways.

Final Score (2018, dir. Scott Mann)

An American ex-soldier battles Eastern European separatists holding a football stadium to ransom. Hugely enjoyable Die Hard knockoff that doesn’t take itself too seriously, and which delivers in genre terms, as well as in representing football pretty well in a movie. Fun.

101 Dalmations II: Patch’s London Adventure (2003, dir. Jim Kammerud & Brian Smith)

Cruella de Vil attempts again to steal and kill the puppies; one dog stands alone. OK straight-to-DVD sequel, heavy on London cliches, slapstick, and cutesy pooches. No classic, certainly, but inoffensive fun nevertheless.

Mission Impossible: Fallout (2018, dir. Christopher McQuarrie)

Ethan Hunt and his team battle a nuclear conspiracy involving followers of Solomon Lane. Splendid series continuation from Part 5 (MI: Rogue Nation), with hugely-impressive stuntwork and the usual emphasis on twists and double-crosses. Recommended.

The Satanic Rites of Dracula (1973, dir. Alan Gibson)

In modern-day London, Dracula is behind an establishment conspiracy to unleash a plague epidemic. Modish late series entry, with loads of ideas, and an approach drawing on SF and a Bond villain plot. Fun, within its limitations, and impeccably played.

Paddington 2 (2017, dir. Paul King)

Paddington ends up in prison after being wrongly convicted of a treasure map theft. Machine-tooled sequel balancing community spirit, slapstick, musical numbers and a climactic train chase. Expertly done, with a fine cast, especially a gleeful Hugh Grant.