A writer finds he has no option but to allow an old lady to live in a van in his drive. Charming and semi-fantastical comedy-drama which makes much of its strong lead performances, and offers some neat asides about writing and processes of adaptation along the way.
A professional thief tracks down those responsible for his father’s killing. Straightforward low-budget East End/Marbella robbery and double-crossery shenanigans, with some flair in the execution though the script deals in stereotypes and cliches at times.
A Chinese ex-soldier targets the former IRA boss he holds responsible for his daughter’s death. Enjoyable tho daft flick which struggles to reconcile its dated Troubles backstory with 21st century geriaction revenge concerns. Solid direction, good performances, and some deft stuntwork make this more than watchable.
An ex-con has to restore his relationship with his son by rescuing Santa and Christmas. Modest but quirky Brit festive flick which goes for the usual emotional gubbins but scores with some appealing casting, and decent poo and fart jokes.
An artist and her estranged teen daughter battle a demon summoned by the girl. Standard jumpscare shenanigans with some interesting visual moments but hampered by confusing story logic which collapses the enterprise.
A dramatisation of the 1980 Iranian embassy siege. Glum retelling which struggles to evidence a point for its existence, delivering neither on insight, telling detail, nor even on SAS action. Who Dare Wins was, at least, bonkers.
A political attempt to neuter M16 is found to be the work of an enemy organisation. The first two acts work well, but the last hour falls apart through trying to stitch the Craig-era Bond films into a single narrative with an awkwardly-revealed Blofeld at its centre.