Elise Rainier returns to her childhood home to face her fears. The fourth in the Insidious franchise is a prequel which loops back to part one. For series fans only, but well-enough handled in its jumpscares and creepy moments, plus one great idea, decently handled.
Three young adults summon a demon. Straightforward jumpscare horror with some surprising gore moments; the rules of the summoning game and the backstory confuse matters, but old pros Lin Shaye and Robert Englund add some class.
A couple move into a house already occupied by an incubus summoned by occultists. Tawdry haunted house flick more interested in softcore satanism than in horror scares. The eagle-eyed will spot Al Jourgensen and (Crazy World of) Arthur Brown among the bit players.
After her sister’s murder, a reporter finds someone is buying murder rooms to make their own house. Ingenious and promising premise aside, Abbatoir soon gets bogged down in padded and clumsy storytelling, some daft production design, and a pretty ropey reveal. Disappointing.
Part 3 is a prequel, offering backstory on Elise, and her team-up with Specs and Tucker, plus another demonic yarn. Lots of jump scares, handled well enough if you like this sort of thing, with series screenwriter/actor Whannell now elevated to director.
The Lambert family aren’t free from their demons. Direct continuation from the first movie, deftly interweaving the events of that with this. Jumpscares galore in this efficient carnival sideshow flick, which delights in well-crafted boo! moments.
A boy caught in a coma-like trance is channelling lost souls. Straightforward jumpscare machine, played effectively and with all the major tropes (unexplained stuff, tech investigation, kooky paranormalists) covered, Lots of spill-your-popcorn moments.