A single mother becomes trapped in a temporal loop on an abandoned liner. A smart little thriller that plays fair by its premise, doesn’t over-explain, and takes a rigorous approach to its plotting. A couple of genuinely nasty ideas embedded as well.
Three sets of interrelated complications involving a jaded hit man. Great-looking and confidently-directed but thoroughly unfunny would-be comedy-thriller that tries something Tarantino/McDonagh-ish but ends up like 90s wannabes such as Three Days In The Valley.
20 years after Independence Day, the aliens return. Sequel/reprise of the 1996 original, taking a lighter, space operatic tone. ID4:R works because it plays as B-movie fodder, and is less interested in plausibility than in creating fun moments.