A high-stakes poker game among old friends gets out of hand. It’s messy (takes an age to get going) and both sweaty but not quite sleazy enough. At 80 minutes plus credits, it’s only just a movie too. There’s a solid half hour in the middle though: Benedict Hardie is especially fun.
Two low-level drug dealers find themselves in a new state, working for a new boss. Low-key, novelistic drama (adapted from the John Brandon book) with thriller elements. Its gentle pace and lack of narrative drive may infuriate some, but there’s plenty to appreciate if you go with it.
A single mother becomes trapped in a temporal loop on an abandoned liner. A smart little thriller that plays fair by its premise, doesn’t over-explain, and takes a rigorous approach to its plotting. A couple of genuinely nasty ideas embedded as well.
Three sets of interrelated complications involving a jaded hit man. Great-looking and confidently-directed but thoroughly unfunny would-be comedy-thriller that tries something Tarantino/McDonagh-ish but ends up like 90s wannabes such as Three Days In The Valley.
20 years after Independence Day, the aliens return. Sequel/reprise of the 1996 original, taking a lighter, space operatic tone. ID4:R works because it plays as B-movie fodder, and is less interested in plausibility than in creating fun moments.