Matrix Revolutions [AKA The Matrix: Revolutions] (2003, dir. The Wachowskis)

Neo’s battle against Smith and The Machines comes to a head. Third and final part of the Matrix trilogy (a part four is on its way). For series completists only by this stage, though the finale delivers in terms of slightly-humourless comic-book spectacle and epic battles aplenty.

The Mule (2018, dir. Clint Eastwood)

An elderly man becomes a drugs runner for a cartel. Crime drama based on a true story. Baggy and indulgent in places, but with some charming moments, and a decent lead performance from Eastwood. The script’s the issue; we never quite get to the heart of the character, despite efforts to tell a rounded story.

Event Horizon (1997, dir. Paul WS Anderson)

A search and rescue vessel investigates a fabled spaceship, thought lost. Generally effective Alien/The Shining¬†mash-up, grounding its horror shenanigans with working guy space freighter ordinariness. Doesn’t make a lick of sense once the plot kicks in, but works just fine as a gory rollercoaster ride.

Predators (2010, dir. Nimrod Antal)

A disparate collection of human killers find themselves prey in an alien game reserve. Efficient series reboot that rings enough engages initially to distinguish itself from the 1987 original, though by the end defaults to remake rather than continuation setting. The best of the sequels though.

Contagion (2011, dir. Steven Soderbergh)

A new disease spreads; an epidemic ensues. Excellent and sober intelligent action flick with the understated tone of a documentary. A genre movie handled with precision and the director’s trademark craft.

John Wick: Chapter 3 – Parabellum (2019, dir. Chad Stahelski)

Wick, now excommunicado, seeks a way back. Part 3 expands on the series mythology and develops both the character’s backstory and the action choreography. Not all of the plot makes sense, but for the main part, this is exhilarating physical entertainment with some dark humour.

Ant-Man and the Wasp (2018, dir. Peyton Reed)

Lang, Hank Pym and Lana re-team, this time to find Pym’s wife, long thought lost in the quantum realm. Superior Marvel adventure, all the better for its modest scale, humour, and invention in blending 3D, action and the conceit of the size-changing tech.