The Incredible Burt Wonderstone (2013, dir. Don Scardino)

An arrogant and jaded Las Vegas stage magician has to find himself again after being sacked. Inconsistent but intermittently fantastic comedy; its perfunctory redemption arc story is bolstered with some great gags and a dark undercurrent throughout. Alan Arkin, as ever, steals the movie.

Sleepless (2017, dir. Baran bo Odar)

A rogue cop has his son kidnapped by drug dealers. A day-from-hell thriller which lifts from Die Hard and Snake Eyes (it’s a remake of Nuit Blanch) in working to sustain momentum; for the most part it holds itself together.

Jason Bourne (2016, dir. Paul Greengrass)

Jason Bourne resurfaces to deal with his past. Fifth in the franchise after the side-step of Legacy finds Bourne on top form; a story-light and linear but propulsive visually-driven action thriller, designed more as a sensory experience than narrative.

Wild Card (2014, dir. Simon West)

A burnout Las Vegas hard man gets a shot at redemption. Episodic but fun, this is superior Stathamism, based on a 1980s William Goldman novel, and a minor Burt Reynolds vehicle. Many Vegas tropes played with, some OK action, and a decent Xmas soundtrack.

The Trust (2016, dir. Alex Brewer & Benjamin Brewer)

Vegas, present day. Mismatched burnout cops Cage and Wood plan a heist on a mob-controlled safe house. Smart little black comedy thriller with a focus on character rather than action. Low-key, but worth your while, and with some decent twisty plot work.