A veteran and a rookie struggle to work together while patrolling LA’s gang neighbourhoods. Still-influential drama that tries for nuance while establishing the look and tone of two generations of movies. Worth revisiting, not least for its direction, cinematography, and its Herbie Hancock score.
A group of friends are attacked in their LA home. Odd recreation of the Manson Family murders. Though technically competent, it barely stretches to an hour’s running time and does little except an extended stalk-and-slash sequence rendered pointless and tasteless by its real-life contexts.
An alcoholic LA detective with a reputation for violence comes under scrutiny from internal affairs. Generally solid double-cross-tastic bad cop-worse cop rough-and tumble that teeters on the brink of melodrama, but just about holds it together.
A houseful of actors face the Apocalypse. Dumb-but-fun gross-out comedy with a bunch of moderately-famous people playing versions of themselves. Self-indulgent, but everyone is in on the joke and no-one gets harmed. Fine while it’s on.
An elite LA cop unit versus a notorious bank robber and his crew. The film wants to be Heat so badly, but can’t make its characters both appalling and fascinating. Some good detail, but cliches, awkward plotting and indifferent action weigh matters down.