Wolves At The Door (2017, dir. John R Leonetti)

A group of friends are attacked in their LA home. Odd recreation of the Manson Family murders. Though technically competent, it barely stretches to an hour’s running time and does little except an extended stalk-and-slash sequence rendered pointless and tasteless by its real-life contexts.

Street Kings (2008, dir. David Ayer)

An alcoholic LA detective with a reputation for violence comes under scrutiny from internal affairs. Generally solid double-cross-tastic bad cop-worse cop rough-and tumble that teeters on the brink of melodrama, but just about holds it together.

This Is The End (2013, dir. Seth Rogen & Evan Goldberg)

A houseful of actors face the Apocalypse. Dumb-but-fun gross-out comedy with a bunch of moderately-famous people playing versions of themselves. Self-indulgent, but everyone is in on the joke and no-one gets harmed. Fine while it’s on.

Hotel Artemis (2018, dir. Drew Pearce)

One night in a gangsters-only private hospital in riot-torn near-future LA. Derivative but fun low-budget cyberpunk thriller, with elements of the Purge and John Wick movies. The budget’s wisely spent on strength in depth in the casting.

Den of Thieves (2018, dir. Christian Gudegast)

An elite LA cop unit versus a notorious bank robber and his crew. The film wants to be Heat so badly, but can’t make its characters both appalling and fascinating. Some good detail, but cliches, awkward plotting and indifferent action weigh matters down.