Seberg (2019, dir. Benedict Andrews)

Actor Jean Seberg struggles with her personal life, civil rights activism, and the pressures of fearing FBI surveillance. Decent biopic focusing on 1968-1970; a very solid cast and subtle direction help, even if the script doesn’t get us close to the protagonist. Lots to appreciate, not least the production design and performances.

Underwater (2020, dir. William Ewbank)

A deep underwater drilling platform is compromised; survivors try to escape. Derivative but effective SF/horror piece, taking Alien and sequels as its jumping-off point. Well-designed, with some solid jumpscares and a sturdy lead performance. Pleasingly efficient throughout, if by no means a game-changer.

Charlie’s Angels (2019, dir. Elizabeth Banks)

A young programmer teams up with an elite security agency to retrieve a valuable energy device. OK series continuation that does precisely what you’d expect with no surprises whatsoever. Passable while it’s on; its best jokes are in the end credits, though.

Panic Room (2002, dir. David Fincher)

A woman and her daughter hide in their high-tech new home from safe crackers. Effective Hitchcockian thriller which makes much play out of the possibilities of CG as well as the fun to be had in setting thieves against each other.