A group of teenagers are stalked by a vengeful dream demon. A well-resourced series reboot – remaking the 1984 genre classic – that works well enough on its own terms, but which doesn’t add enough (a voguish focus on the villain’s backstory aside) to make it distinctive. Fine in itself, though, if hardly memorable.
Tag: Katie Cassidy
Black Christmas [AKA Black X-Mas] (2006, dir. Glen Morgan)
One Christmas, an escaped killer returns to his home, now a sorority house. This first (loose) remake of the 1974 genre outlier is somewhat confusingly-organised and doesn’t hit the same gleeful stride as the same team’s Final Destination movies, but at least commits with some confident direction, gore, and a couple of weird moments.
Wolves At The Door (2017, dir. John R Leonetti)
A group of friends are attacked in their LA home. Odd recreation of the Manson Family murders. Though technically competent, it barely stretches to an hour’s running time and does little except an extended stalk-and-slash sequence rendered pointless and tasteless by its real-life contexts.