Within [AKA Crawlspace] (2016, dir. Phil Claydon)

A teen fears her new home may be haunted; the truth is perhaps worse. Straightforward jumpscare horror which takes time to set up plenty of plot possibilities before making its choice. Some decent moments, though also a sense of being edited to the bone, losing some subplots.

At The Devil’s Door [AKA Home] (2014, dir. Nicholas McCarthy)

A realtor finds that the property she is trying to sell is host to a malevolent entity. Its odd structure and unwarranted ending aside, a reasonable entry in the possessed property jumpscare sub-sub-genre. Some neat moments among the standard shenanigans.

Don’t Knock Twice (2016, dir. Caradog W. James)

An artist and her estranged teen daughter battle a demon summoned by the girl. Standard jumpscare shenanigans with some interesting visual moments but hampered by confusing story logic which collapses the enterprise.

Rings (2017, dir. F. Javier Gutiérrez)

A VHS tape yields an odd film; an investigation reveals that it comes with a curse. Belated third film in the US Ringu retelling, this time with a different backstory from The Ring Two. Lots of ideas, none of them very good. A mess.

Don’t want to take my word for it? Here’s Lemonsquirtle’s opinion.

Before I Wake (2016, dir. Mike Flanagan)

A bereaved couple’s new foster son’s dreams – and nightmares – can come true. Atypical jumpscare horror which morphs into something a little more touchy-feely. Not for all tastes, but well-directed by the talented Flanagan.

The Other Side of the Door (2016, dir. Johannes Roberts)

A grieving mother is offered a way to say a final goodbye to her dead son. Straightforward jumpscare malarkey with a premise very similar to the superior Wake Wood. The film benefits from its interesting Mumbai setting, and some committed acting.

Out of the Shadows [AKA The Devil’s Toy Box] (2017, dir. Allen Kellogg)

A documentary team investigate a supposedly-haunted asylum, the site of a reality show gone wrong five years before. Straightforward jumpscare found-footage horror sequel (to Seven Nights of Darkness), effective for an hour before collapsing in on itself, storywise.