Mary Poppins Returns (2018, dir. Rob Marshall)

A generation after the events of Mary Poppins, the magical nanny returns to the Banks family, this time to help them save their home. Despite care and affection for the original, this is a reprise rather than a sequel. Emily Blunt lacks the lightness of touch of Julie Andrews, and the songs tend to the unmemorable.

Mamma Mia! Here We Go Again (2018, dir. Ol Parker)

In 1979, a student has romantic adventures in the Med; this links with the present. Both sequel and prequel to Mamma Mia!, this ABBA-based jukebox musical is part-reprise, part deconstruction. More fun than the first, and as impermeable to criticism as its predecessor. You’ll either love it, or be baffled.

Paddington 2 (2017, dir. Paul King)

Paddington ends up in prison after being wrongly convicted of a treasure map theft. Machine-tooled sequel balancing community spirit, slapstick, musical numbers and a climactic train chase. Expertly done, with a fine cast, especially a gleeful Hugh Grant.