The Christmas Chronicles, Part 2 [AKA The Christmas Chronicles 2] (2020, dir. Chris Columbus)

Two years on, and an unhappy Kate Pierce is kidnapped by a cast-out elf aiming to get revenge on Santa. Sprawling grab-bag sequel, mashing up Milton, Gremlins and a hundred other properties. Messy and uncoordinated, though Kurt Russell is having fun, plus he gets another Blues Brothers-ish singalong set piece.

Here’s the trailer.

Summer of ’84 (2018, dir. François Simard, Anouk Whissell & Yoann-Karl Whissell)

A conspiracist teen and his friends became convinced a cop neighbour is an active serial killer. Solid 80s-set teen mystery/horror that’s careful to pace itself and focus on atmosphere as much as plot. Doesn’t overplay the nostalgia either; this is an impressive and well-sustained movie.

Here’s the trailer.

The Babysitter: Killer Queen (2020, dir. McG [Joseph McGinty])

Two years after the traumatic events of the first film, Judah finds himself still struggling to be believed. Zippy sequel that expands on, rather than rehashes, its predecessor (which it’d be useful to see immediately prior). More gore slapstick than horror flick, this is a fun and pleasantly inconsequential ride.

Here’s the trailer.

I See You (2019, dir. Adam Randall)

A cop’s dysfunctional family life takes a sinister twist during a missing child investigation. Excellent horror-thriller with a confident script and direction, relishing the ways it subverts expectations during a dazzling second half. It starts slow, but stick with it. Recommended.

The Christmas Chronicles (2018, dir. Clay Kaytis)

After setting a trap to catch Santa, two squabbling siblings have to help him save Christmas. Patchy Yuletide offering with few surprises. Russell does what he can with an indifferent script, but this is no classic. A sequel followed two years later.

The Babysitter (2017, dir. McG)

A bullied teen finds his babysitter is the head of a satanic cult. Enjoyable horror-comedy with plenty of splattery jokes, a generally light touch, and engaging playing from its leads. Frothy but fun. A sequel followed.