The remaining Avengers plan an elaborate time heist to recover the infinity stones and undo the events of the recent war. Crowd-pleasing sequel/series endpoint that succeeds in narrative closure and fanservice terms. It’s TV by this stage, but impeccably done.
After the death of his girlfriend, Deadpool finds redemption in protecting a young mutant. Confident sequel with the same approach as before, mixing cartoony violence, baroque language and metatextual gags.
Graver enlists Alejandro once more; this time to start a war between cartels. A focus on people trafficking rather than drugs second time around; terrifically stylish and well-executed, if flirting with some reactionary ideas.
After stumbling across the proceeds from a drug deal gone wrong, a Vietnam veteran is pursued by an implacable hitman. Astonishing thriller about violence, randomness and fate, which works also as a contemporary (it’s set in 1980) borderlands Western.
The Avengers and the Guardians of the Galaxy team up with others to prevent Thanos obtaining all the infinity stones. Dayglo all-star Marvel tag-team mash-up. For series fans only; tho it’s kinda fun while it’s on, CG fights get dull. TV, not a movie.
A female FBI agent gets in over her head when she volunteers to liaise with an inter-agency anti-drugs team. Smart, bleak and suspenseful thriller with great performances and some standout sequences. Recommended.
Drama based on the ill-fated 1996 Hall/Fischer Everest expedition. Generally solid, respectful and well-acted mountaineering epic, slightly undone by over-use of CG and by some awkward directorial choices which rob the movie of tension.
A Hollywood fixer’s day from hell. Delirious Coen Brothers’ farce, affectionately spoofing 1950s movies, while spinning another of their noirish kidnapping-goes-wrong yarns. Tons of fun, with everyone concerned clearly having a great time. Recommended.