Wolves At The Door (2017, dir. John R Leonetti)

A group of friends are attacked in their LA home. Odd recreation of the Manson Family murders. Though technically competent, it barely stretches to an hour’s running time and does little except an extended stalk-and-slash sequence rendered pointless and tasteless by its real-life contexts.

The Silence (2019, dir. John R Leonetti)

After a swarm of ravenous creatures who hunt by sound is released, a family runs to stay alive. Patchy road movie/horror hybrid from the Tim Lebbon novel. Comes across – a touch unfairly – as an opportunistic grab-bag of bits from Pitch Black / The Birds / Straw Dogs and the more recent Bird Box / A Quiet Place.

Wish Upon (2017, dir. John R. Leonetti)

A misfit teen finds a Chinese puzzle box which can grant seven wishes. Pedestrian rehash of The Monkey’s Paw (plus shades of Hellraiser and Final Destination) which struggles to find new things to say, or novel ways to kill people. Weak sauce.