Star Trek Into Darkness (2013, dir. JJ Abrams)

Attacks on Starfleet propel Kirk and crew into a manhunt in Klingon territory. Second of the alt-timeline reboot film series works fine as a pacy SF adventure with plenty of comedy to counterpoint the action, though struggles – as before – with its villainy and a need to over-reference its predecessors. A third movie followed.

Here’s the trailer.

Searching (2018, dir. Aneesh Chaganty)

A father searches his missing daughter’s online life for clues about her disappearance. Smart, precise, and well-sustained evolution of the found-footage movie, with its storytelling conceit backed up by a solid mystery and a good lead performance. Recommended.

The Grudge (2020, dir. Nicolas Pesce)

A widowed detective investigates deaths linked to the same house. Well-made series reboot (set between the first two of the 00s US J-horror remakes) that delivers with scares, splatter, icky imagery, fine cast and direction, plus some interesting script work. More a series of vignettes than an actual story, but this is superior genre fare.

Identity Thief (2013, dir. Seth Gordon)

A mild-mannered accountant and a con artist go on a cross-country trip to prove the former’s innocence. Patchy road movie comedy that apes Midnight Run, but which – despite game playing by its leads – invariably resorts to cheap laughs and stock situations.

Star Trek: Beyond (2016, dir. Justin Lin)

The Enterprise is destroyed by an alien race seeking a device that will allow them to attack the Federation. A pacy, light, though ultimately disposable third instalment of the alt-timeline Kirk adventures. Feels like an expanded TV episode; not altogether a criticism.