A girl with pyrokinetic powers is on the run from the authorities. Perfunctory second adaptation of the Stephen King novel, unsure quite what to do with the source material. At its best, it apes the previous version, no classic itself. A throbbing John Carpenter score helps some.
Utterly dreadful and unnecessary sequel to the 2018 Halloween sequel-reboot. Michael Myers carves up more scared people in Haddonfield including the dregs of the 1978 original film cast. So unbelievably stupid it beggars belief. Painful even for hardcore fans.
A blowhard trucker finds himself in the middle of a magical conflict in San Francisco’s Chinatown. Still-fun mock-heroic action fantasy, with some respect for its influences and its tongue in its cheek throughout. If you go with it, this is still a great 100 minutes, though inevitably it’s not for all.
A group of veterans defend their bar from a violent drug gang. Gory, well-cast homage to early John Carpenter flicks (and by extension Rio Bravo). A game cast have fun, everyone’s in on the joke, and it’s good to see these vets have meaty roles. Doesn’t overstay its welcome, neither.
A bullied horror-obsessed teen conjures a trickster demon who promises to grant him his revenge wishes. By-the-numbers Halloween-set teen-oriented flick that’s keen to pay homage in different ways to early John Carpenter movies. Well-enough done within its limitations, even if it offers nothing new.
A documentary about Hollywood’s most recognizable stuntman and movie henchman. A crowdfunded production made with affection and respect for its subject. Inevitably for fans, but nevertheless fascinating, not least because the film gives a rounded picture of Leong’s work, life, and personal struggles. Recommended.
Snake Plissken is compelled to rescue a gadget from what is now the island prison of Los Angeles. Campy though large-scale reprise of the 1981 predecessor. Some moments work, but this is lesser Carpenter, and a film blighted by woeful CG.
An infamous criminal is sent into the island prison of Manhattan to rescue the US President. Defiantly odd post-apocalyptic piece, much happier with its production design and oddball characters than delivering on action/horror. Not quite the film you remember.
After killing an intruder, a family man’s life spirals out of control. Splendid 80s-set thriller with a John Carpenter vibe, this version of an early Joe R Lansdale novel consistently wrong-foots the audience while meditating on the effects of violence.