Red Sparrow (2018, dir. Francis Lawrence)

A Russian ballerina is recruited by her uncle into an elite spy training programme. Good-looking but deathly slow melodrama which pretends the Cold War is ongoing. Plenty of solid character actors with silly accents in European cities doing double-crosses.

It Comes At Night (2017, dir. Trey Edward Schults)

A family hides in the woods after a disease outbreak. Sombre and effective post-apocalyptic horror, more focused on survivors’ paranoia than on raging zombies and the like.

Bright (2017, dir. David Ayer)

A veteran LA cop partners with the first orc officer; they find themselves in the middle of an ancient magic war. While the procedural and mismatched partners stuff is great, Bright is saddled with too much backstory and a daft third act. Feels like a big-budget TV series pilot.