Backdraft 2 (2019, dir. Gonzalo López-Gallego)

A Chicago arson investigator tracks down the causes of a series of fires intending to cover a larger crime. While the reveal doesn’t quite work, this is mostly a superior DTV sequel which improves on the soapy early 90s original. And yep, Donald Sutherland pops up again, in a slightly enhanced reprise of his Lecter-ish firebomber.

The Ruins (2008, dir. Carter Smith)

Vacationing students journey to a ruined Mayan temple to find missing friends. Modest but effective horror flick, handled with some care and attention. Makes the most of what’s essentially a single setting, and doesn’t try to over-explain, or overstay its welcome

The Crazies (2010, dir. Breck Eisner)

A viral outbreak in a small Iowa town leads to a zombie-like infection and a military lockdown. Effective and well-sustained remake of the 1973 George Romero flick of the same name. Cynical, paranoid and subversive within its now-familiar genre framework.

Abbatoir (2016, dir. Darren Lynn Bousman)

After her sister’s murder, a reporter finds someone is buying murder rooms to make their own house. Ingenious and promising premise aside, Abbatoir soon gets bogged down in padded and clumsy storytelling, some daft production design, and a pretty ropey reveal. Disappointing.