The Gray Man (2022, dir. Anthony Russo & Joe Russo [AKA The Russo Brothers])

A CIA assassin is targeted for elimination: a global manhunt ensures. Very straightforward action thriller, heavily reliant on star charisma and on ‘splodey excess over much in the way of well-staged sequences. One-note throughout, with diminishing results over time.

Here’s the trailer

The Matrix Resurrections (2021, dir. Lana Wachowski)

A computer games designer discovers he’s in a simulation. Meta belated sequel with some fun ideas about reboots, too much clumsy cod philosophy, and plenty of decent performances. However, poor action staging, awkward recasting of key roles, and weak storytelling undo good intentions.

Here’s the trailer.

The Matrix Resurrections (2021, Dir. Lana Wachowski)

Mr. Anderson once again suffers reality confusion in this complex sequel. Less bible and message laden than some of the others, this refocuses things with a new deeply meta twist. Though a tad bloated and with little new to say, this still manages to be visually compelling.

Matrix Resurrections (2021, Dir. Lana Wachowski)

Love and Monsters (2020, dir. Michael Matthews)

A young man journeys across giant creature-infested territory to reunite with his former girlfriend. Derivative but fun post-apocalyptic survival flick with a little heart. It borrows from everything from A Boy and his Dog to Mad Max 2 via Tremors, but still works. Michael Rooker offers serio-comic grizzle in support.

Here’s the trailer.

Underwater (2020, dir. William Ewbank)

A deep underwater drilling platform is compromised; survivors try to escape. Derivative but effective SF/horror piece, taking Alien and sequels as its jumping-off point. Well-designed, with some solid jumpscares and a sturdy lead performance. Pleasingly efficient throughout, if by no means a game-changer.