The Martian (2015, dir. Ridley Scott)

An astronaut is marooned alone on Mars; he develops a plan to survive. Smart, funny and upbeat space peril movie with winning ensemble performances, clean visuals, and a diligent script from the Andy Weir bestseller. A thoroughly professional and entertaining job all round.

It: Chapter Two (2019, dir. Andy Muschetti)

The now-adult Losers’ Club return to Derry to face Pennywise again 27 years later. Oddly baggy second half; the adults don’t get enough attention, and the resolution still doesn’t work. Pennywise turns out to be a lot less scary when facing down grownups. Gives the impression there’s a better miniseries-length edit of the movies somewhere.

Mama (2013, dir. Andy Muschietti)

Two girls, feared lost for five years, are found feral in an isolated cabin. Generally effective jumpscare horror, impressive in its first acts, though increasingly awkward in plot event terms and tone as the melodrama develops. Some very neat moments, though.

Zero Dark Thirty (2012, dir. Kathryn Bigelow)

A dramatisation of the hunt for and killing of Osama Bin Laden. Sober and focused, with an eye for detail and on the selling of its version of events as truth through the use of faux documentary techniques, this works as an intelligent thriller throughout.

Miss Sloane (2016, dir. John Madden)

A ruthless Washington lobbyist goes against the pro-gun lobby. Initially intriguing though ultimately glib dramatic thriller with good performances and a sense of seriousness undone by an unbelievable third act.

Molly’s Game (2017, dir. Aaron Sorkin)

The true story of Molly Bloom, who ran high-stakes poker games in New York and LA. Excellent drama, balanced by a fine central performance and swaggering writing, chronicling a perhaps typical rise and fall-style story, but done with class and confidence.

Alternative view here

The Huntsman: Winter’s War (2016, dir. Cedric Nicolas-Troyan)

Sidequel to 2012’s Snow White and the Huntsman, minus the first film’s lead. Oddball attempt to craft a continuation; good casting in depth helps a bit, but the story’s a secondhand grab-bag of old tales that have been better retold by others.