The Postcard Killings (2020, dir. Danis Tanović)

A detective crosses Europe on the trail of serial killers responsible for his daughter’s death. Tickbox post-Lecter thriller (from a James Patterson novel) held together by Jeffrey Dean Morgan and – initially – some strong moments. It collapses, though, under the weight of ho-hum twists and a throwaway ending.

Here’s the trailer.

The Unholy (2021, dir. Evan Spiliotopoulos)

A disgraced journalist stumbles across what appears to be a religious miracle. Autumnal modest adaptation of James Herbert’s novel Shrine, transplanted to New England. Fudges its approach: part investigative thriller, part jumpscare horror. One or other would have been better, though a solid cast does what it can.

Here’s the trailer.

Texas Killing Fields (2011, dir. Amy Canaan Mann)

Detectives struggle with a series of murders. Based very loosely on real-world unsolved crimes, this noir-ish thriller can’t decide whether to go for procedural or for obsessive cop angst. It tries both, and so doesn’t gel. Decent performances from an up-and-coming cast and an OK look make this a not-uninteresting curio though.

Here’s the trailer.

Rampage (2018, dir. Brad Peyton)

A zoologist and a renegade scientist team up to stop genetically-enhanced animals rampaging. Perfunctory and slightly po-faced monster mayhem, with only Jeffrey Dean Morgan’s man in black entering properly into the tongue-in-cheek fray.

Desierto (2015, dir. Jonas Cuaron)

A group of Mexican illegal migrants crossing into the US are hunted by a self-appointed border official. Stark body-count thriller which makes full existentialist use of its arid landscapes, slim plot, and light characterisation.