The Other Side of the Door (2016, dir. Johannes Roberts)

A grieving mother is offered a way to say a final goodbye to her dead son. Straightforward jumpscare malarkey with a premise very similar to the superior Wake Wood. The film benefits from its interesting Mumbai setting, and some committed acting.

Freehold (2017, dir. Dominic Bridges)

An estate agent’s flat has a secret lodger, who shifts from a subsistence existence to a campaign of psychological warfare. The first hour is great, but the lack of an ending and a clunky coda¬†undermine some of the movie’s earlier successes. Worth watching tho.