The 355 (2022, dir. Simon Kinberg)

Five operatives – each female – team up to retrieve a codebreaking device. Uninspired globetrotting spy thriller with a good cast (including Dear Old Jason Flemyng on Brit villain duties) largely wasted. A tickbox script, flaccid direction, and flat action design give producer Chastain and colleagues little to sell. Meh, unfortunately.

Here’s the trailer.

A Violent Man (2022, dir. Ross McCall)

A troubled lifer gets a new cellmate and an unexpected family contact. Claustrophobic prison drama – almost entirely set in a single cell – working well to maximise star Fairbrass’s trademark physicality. A touch long and repetitive maybe, but impressive and well-sustained nevertheless.

Here’s the trailer.

Deep Rising (1998, dir. Stephen Sommers)

A salvage boat crew, thieves, and sundry passengers try to escape a liner under attack from sea creatures. Splendid pulpy B-movie with its tongue in its cheek, played with verve by an impeccable cast of character actors.

Eat Locals (2017, dir. Jason Flemyng)

A vampire gathering is interrupted by an army/cleric hit squad. Slightly ramshackle low budget comedy-horror with a clear debt to Dog Soldiers, this just about gets by on its game cast of familiar faces, plus plenty of ideas, not all of which get a fair shake.

The Curious Case of Benjamin Button (2008, dir. David Fincher)

A man’s life runs backwards, from old age to being newborn. Button is overlong, meandering, episodic, and sometimes overly in service to its impressive VFX, but it’s nevertheless an effective though melancholy audience-pleasing tearjerker