Bond teams up with an NSA agent to uncover the truth about a conspiracy involving conflict diamonds and North Korea. Fourth, last, and least of the Brosnan Bond flicks. The central performance is good, but the script is a lazy series of puns and there’s an over-reliance on iffy CG throughout.
A political attempt to neuter M16 is found to be the work of an enemy organisation. The first two acts work well, but the last hour falls apart through trying to stitch the Craig-era Bond films into a single narrative with an awkwardly-revealed Blofeld at its centre.
Bond investigates stolen spacecraft so he can avert a nuclear war. Fifth in the franchise and the cracks are starting to show. Connery is jaded, and the Roald Dahl script is awkwardly dated at best. Impressive production design and a couple of neat directorial moments lift some of the tiredness.
Bond battles a rogue Soviet general intent on starting a nuclear war. Lacking the restraint of predecessor For Your Eyes Only, this is lesser Bond, with an eye as much on laughs as on thrills or plausibility. Louis Jourdan, though, makes for an elegant adversary.
James Bond teams up with a Soviet agent to track missing submarines. Swaggering, confident series entry which effectively (and not for the last time) remakes You Only Live Twice. Roger Moore on fine twinkly form.
Very solid 90s Bond, refitting the cycle into post-Cold War realities, excepting dated then-new internet gubbins. The best of the Brosnan flicks, though it recycles (yet again) You Only Live Twice, plot-wise.