Nerdy colleagues band together after co-workers become murderous via a weaponised energy drink. Okay-while-its-on comedy-horror with a Larry Cohen-esque conceit and a whiff of The Belko Experiment. No real surprises or scares, but some nice lines and action details.
A strip-club owner has to defend her business and her co-workers against zombies. Awkward horror-comedy that delivers in terms of gore, but manages to mishandle what should be a gleefully tasteless B–movie; the result is too-often tacky and nastily exploitative.
A gated community is threatened by an organising army of zombies. The slickest and most mainstream of Romero’s six zombie flicks, Land has some storytelling issues but also verve in its inventiveness and its writer-director’s trademark social commentary.
A remorseless demon stalks an immortal holding the last key to humanity’s survival. Under-appreciated siege horror-comedy linked (vaguely) to the EC comics. A game diverse ensemble cast of character actors jolly things along, supported by excellent direction. Unpretentious fun.
An ambitious DJ and a vengeful sheriff hunt the Sawyer family. Scattershot sequel, foregrounding black comedy, gore effects, and a subversion of Reaganite family values. Gleeful rather than good or scary, it nevertheless has a few startling moments.
A New Years’ party in Wales is the centre of an alien invasion. Low-budget SF/horror/comedy with some oddly irrelevant production values and an overly-complex backstory. Not great at all, but there are a couple of good moments.
A female student has to relive the day of her murder again and again. Sprightly campus-based slasher horror-comedy, fairly unashamed in its mashup of Groundhog Day and Scream. Pretty good, within its limitations.