Outlaw/King (AKA Outlaw King) (2018, dir David MacKenzie)

Robert the Bruce rebels against Edward I. Straightforward historical action drama in the Braveheart mould, with plenty of detail, production values aplenty and some gusto in the playing. Blood, mud and a trebuchet/mangonel device.

The Assassin (2015, dir. Hou Hsiao-hsien)

In 9th century Japan, a young female assassin is ordered to kill her cousin; the man she was once betrothed to. Visually-stunning wuxia arthouse (martial arthouse?) flick, more interested in painterly scenes than in traditional action thrills; still, a wonderful thing to behold. Recommended.

Year One (2009, dir. Harold Ramis)

Two neolithic losers stumble into Old Testament-era civilization. Patchy lowbrow comedy ticking off every genitals-related gag in the scrolls. Some funny moments; the always-welcome Oliver Platt steals the show as a lascivious high priest.

Bill (2015, dir. Richard Bracewell)

Young Bill Shakespeare tries to make his fortune as a playwright, only to be involved in a Spanish plot. Splendid Pythonesque romp from the Horrible Histories/Yonderland team, ticking off all the Elizabethan gags in the folio.