Trancers II (1991, dir. Charles Band)

Jack Deth battles a nemesis in present-day LA, while dealing with future complications. Tatty straight-to-video sequel with only glimmers of the vim of the original. A shame, as there’s some good ideas, plus a decent cult movie cast, though they don’t all have much to do. Further episodes followed.

Here’s the trailer

Trancers (1984, dir. Charles Band)

A vengeful 23rd-century ex-cop is sent to 1984 LA to capture the man who killed his wife. Zesty low-budget The Terminator variant with a sense of humour and of being playful with its budget limitations. Loads of fun, a few satiric jabs, and great lead performances. Five sequels followed.

Here’s the trailer.

The Night Clerk (2020, dir. Michael Cristofer)

A hotel night clerk – who has an ASD – witnesses a murder via the recordings he makes of guests. Good performances aside, this is neither trashy enough to revel in its mashup of Rear Window and the likes of Vacancy, nor pacy and committed enough to its thriller elements to work in dramatic terms. Well-directed though, and not without its pleasures.

I See You (2019, dir. Adam Randall)

A cop’s dysfunctional family life takes a sinister twist during a missing child investigation. Excellent horror-thriller with a confident script and direction, relishing the ways it subverts expectations during a dazzling second half. It starts slow, but stick with it. Recommended.

As Good As It Gets (1997, dir. James L Brooks)

A selfish author with OCD falls in love with the waitress who serves him breakfast. Splendid romantic comedy with a sharp edge, and a road-trip element. Fine performances from the three leads and a great script. Recommended.