Inside Man: Most Wanted (2019, dir. MJ Bassett)

Hostage negotiators work to resolve a heist-turned-hostage situation at New York’s Federal Exchange building. Slick DTV sequel with an all-new cast of comparatively unfamiliar faces, and a few shout-outs to the original. Not bad within its limitations, though the likes of Denzel Washington are inevitably missed.

Inside Man (2006, dir. Spike Lee)

An embattled detective tries to work out how an unorthodox bank robbery became a hostage situation. Smart heist/siege movie that works as an intelligent genre piece and a sly political commentary on post-9/11 America. Lots to enjoy, with clever performances all around and plenty to think about. Recommended.

Ocean’s Eight [AKA Ocean’s 8] (2018, dir. Gary Ross)

A just-released thief puts together a jewel heist. Slick comedy-thriller with a few nods to the Clooney/Pitt/Soderbergh movies. Fun while it’s on, and everyone seems to be having a fine old time.

Widows (2018, dir. Steve McQueen)

Owing money after her husband is killed in a botched robbery, a woman assembles the wives of dead men into a new crew. Stately thriller from the ITV mini-series, balancing an examination of race, city corruption and street politics with genre thrills. Recommended.

Triple Frontier (2019, dir. JC Chandor)

Five former soldiers plan a robbery on a drug lord’s jungle hideout. Well-sustained heist-goes-wrong thriller with a military angle. A superb cast lifts straightforward genre material, somewhat elevated by serious handling and moviemaking craftsmanship throughout.

Logan Lucky (2017, dir. Steven Soderbergh)

Two down-on-their-luck brothers plan a heist at a Nascar race. Massively confident and entertaining crime comedy, which takes the hoariest of premises (breaking out of prison to commit the perfect crime) and has lots of fun with it. Polished entertainment.

Solo: A Star Wars Story (2018, dir. Ron Howard)

A Han Solo origin tale. After a clunky and stagey first act, this heist western SF hybrid finds its feet, even though its nominal lead is a black hole around which much more interesting support stuff occurs. Inconsequential.

Den of Thieves (2018, dir. Christian Gudegast)

An elite LA cop unit versus a notorious bank robber and his crew. The film wants to be Heat so badly, but can’t make its characters both appalling and fascinating. Some good detail, but cliches, awkward plotting and indifferent action weigh matters down.

The Hurricane Heist (2018, dir. Rob Cohen)

A meteorologist and a US Treasury agent combat thieves using a hurricane as cover for a robbery. Underpowered mashup of Twister and Hard Rain with some good moments – Ralph Ineson’s baddie is fun – but an over-reliance on cliche and CG storms.

Going In Style (2017, dir. Zach Braff)

When their former employer reneges on their pension deals, three old men decide to rob the bank involved. Easy-going remake of a 1970s caper comedy. No surprises, but it coasts by on twinkly-eyed performances and some nice moments.