Frankenstein, hiding out in a lunatic asylum, takes on a young disciple. The last of the Hammer series is an okay entry, hampered by over-familiarity and a poorly-designed creature, but with some nifty moments and Cushing’s typically meticulous performance.
In modern-day London, Dracula is behind an establishment conspiracy to unleash a plague epidemic. Modish late series entry, with loads of ideas, and an approach drawing on SF and a Bond villain plot. Fun, within its limitations, and impeccably played.
A newcomer to an English village finds she’s in the middle of a coven on a recruitment drive. Straightforward Hammer black magic thriller which makes something of the contrast between the twee rural locale and the over-the-top rituals.