John Wick: Chapter 3 – Parabellum (2019, dir. Chad Stahelski)

Wick, now excommunicado, seeks a way back. Part 3 expands on the series mythology and develops both the character’s backstory and the action choreography. Not all of the plot makes sense, but for the main part, this is exhilarating physical entertainment with some dark humour.

Gothika (2003, dir. Mathieu Kassovitz)

A criminal psychiatrist becomes incarcerated in her own asylum when her husband is murdered. Glossy-but-daft horror with a strong cast working with a weird mash-up of genre influences that don’t really gel here.

Kingsman: The Golden Circle (2017, dir. Matthew Vaughn)

Kingsmen join with their American equivalent to battle a virus-wielding drug lord. Gleeful but over-stuffed, overlong and indulgent sequel, magnifying the first film‘s good points and its issues. Some fun to be had, tho, and Mark Strong gets a crowning moment of awesome.

Swordfish (2001, dir. Dominic Sena)

A brilliant ex-hacker is coerced into a heist being orchestrated by a paramilitary group. Glossy but dumb-as-rocks tech thriller with the usual hacking visual cliches and an eye on spectacle (Bullet-time explosions! Nudity! A bus in midair!) over logic.

Die Another Day (2002, dir. Lee Tamahori)

Bond teams up with an NSA agent to uncover the truth about a conspiracy involving conflict diamonds and North Korea. Fourth, last, and least of the Brosnan Bond flicks. The central performance is good, but the script is a lazy series of puns and there’s an over-reliance on iffy CG throughout.