Come Play (2020, dir. Jacob Chase)

A boy with autism is stalked by a digital demon. Well-sustained low-key horror pic, deliberately mashing up early (CE3K, E.T., Poltergeist) Amblin/Spielberg and the likes of The Babadook. Finds plenty of ways to make phones and TVs menacing without labouring allegories about screen time. Recommended.

Here’s the trailer.

The Contractor (2022, dir. Tarek Saleh)

A discharged veteran with money problems reluctantly takes on a private contracting job. Terse thriller with action elements: the cast’s good, the action is handled in a no-nonsense manner, and there’s a pleasing downbeat tone. No surprises, but a decent programmer with subtext about post-military lives.

Here’s the trailer.

Fear Street: 1666 [AKA Fear Street Part Three: 1666] (2021, dir. Leigh Janiak)

The final part of the trilogy: events and characters between 1994 and 1666 are linked. A messy finale saddled with an offstage villain, variable accents, a weird lack of interest in its potentially-good ideas, and an hour of padding. Not great at all: precisely one interesting visual moment.

Here’s the trailer.