A troubled war hero about to be redeployed struggles with life in America. Its glossy direction and staging notwithstanding, this is an at-times awkward drama that doesn’t offer much new except in its good intentions and immaculate technical credits. Perhaps an indication that not all novels are translatable to film.
Thirty years later, Flynn’s son is scanned into the same computer universe his long-missing father found in the first film. Well-designed and with a super techno/disco soundtrack, this is a po-faced mess that can’t even sustain the daft people-as-programs conceit of its predecessor. Dull and overlong, though with OK support from a glam Michael Sheen.
A prequel of sorts to JM Barrie’s Peter Pan. And not a very good one either. Some interesting production design, but that’s about it. A poor script, misjudged performances, and evidence of a post-production salvage attempt. A disappointment.