Mismatched brothers kidnap a paramedic and her cop patient as part of an LA heist getaway. A superior slice of Bayhem (remaking the 2005 Danish flick of the same name) that’s dumb as rocks, but gleeful and propulsive. An impressive commitment to vehicular destruction, and it looks great throughout. Jake Gyllenhaal clearly has a blast.
A crew is assembled to pull a vault heist against the clock in a zombie-infested Las Vegas. High-concept, messy, bloated and undisciplined action-horror. There’s a tight 95 minute flick in the material: while this is undemanding genre fun while it’s on, it’s second-hand stuff all the way.
A holidaying young woman is raped by an escaped prisoner; later, he and his crew happen across her parents. Overlong horror remake with handsome production values which problematise the movie; prurient direction doesn’t help, so confused messages abound, impacting on the potential for the movie to be, you know, entertaining.
Owing money after her husband is killed in a botched robbery, a woman assembles the wives of dead men into a new crew. Stately thriller from the ITV mini-series, balancing an examination of race, city corruption and street politics with genre thrills. Recommended.
After stumbling across the proceeds from a drug deal gone wrong, a Vietnam veteran is pursued by an implacable hitman. Astonishing thriller about violence, randomness and fate, which works also as a contemporary (it’s set in 1980) borderlands Western.
A logger is caught up in a siege against drug-dealers. Somewhat contrived in its set-up, this is nevertheless a decent-enough wintry contemporary western, which sensibly focuses on snowy shootout action.
A getaway driver finds himself in the middle of a double-cross. A lean, effective thriller that’s equal parts The Driver and Locke. Frank Grillo makes for a pleasingly ordinary protagonist. Shades of John Carpenter and Walter Hill throughout. Recommended.