A year after Lost Bullet, Lino has a chance to get justice for the deaths of his mentor and brother. Amped-up sequel delivering as before in close combat, chases, reversals, and vehicular mayhem. A slightly lighter touch this time: sterling genre (SF and western touches in the mix) entertainment all the same.
A vlogging couple explores a submerged supposedly-haunted house. Technically proficient but dumb-as-wet-rocks underwater jumpscare horror flick (with found footage and real-time elements), that’s wholly uncertain what to do with its premise. Mercifully brief and good-looking, though.
Mr Bean wins a holiday to the French Riviera, but has trouble getting there. Superior road movie sequel that starts slowly but gains momentum. Slapstick, sight gags, some deft movie industry satire, plus a genuinely heart-warming climax.
An ex-con mechanic runs to clear himself of a cop’s murder by corrupt colleagues. Superior French action thriller, played straight and with some verve in the fight scenes and automotive carnage. Doublecrosses and so on as you might expect between the well-orchestrated mayhem. Doesn’t overstay its welcome, either. A 2022 sequel followed.
Two soldiers are given orders to deliver an urgent message to prevent a massacre. Works better as a race-against-time action movie than as an anti-war flick, but sustains itself impeccably and looks great throughout. The single-shot/more-or-less real-time aesthetic just about justifies itself, though can be distracting in quieter moments.
Two car-criminal brothers have to steal a rare sports car to repay a debt. Glossy, slick, and glamorous escapist entertainment made with some skill. Indebted to Gone in 60 Seconds / Fast & Furious flicks, with a dash of Europacorp-ish South of France style. Fun while it’s on, and good-looking throughout.
A jaded hitman protects a teenager from assassination. Clunkily-scripted but well-directed pan-Europe chase thriller with bags of well-choreographed lo-fi action. A hugely competent job done with very average raw materials.