In The Earth (2021, dir. Ben Wheatley)

A scientist travelling to a colleague engaged in a forest project encounters woodland weirdness. Pandemic-infused folk-ish lo-fi horror with strong ideas, visuals, fine performances, and some black comedy. Better on mood than story, though: Wheatley’s indulgence in trippy freakout in full effect here.

Here’s the trailer.

Woodlands Dark and Days Bewitched: A History of Folk Horror (2021, dir. Kier-La Janisse)

A history – and a geography – of this mode of storytelling in film and television. More folk than horror, this overlong documentary is somewhat unfocused (depth is sacrificed for breadth), but nevertheless interesting. Feels like a TV series re-edited without titles: something to dip into rather than watch in one go. Worth your time though.

Here’s the trailer.

Midsommar (2019, dir. Ari Aster)

A bereaved student in a failing relationship becomes part of a group visit to a Scandinavian commune. Contrived but watchable Kubrick-does-The-Wicker-ManĀ folk horror. Does exactly what you’d expect, at some length, but has mesmerising sequences even if you might not quite buy what’s going on.

Another view? Here you go.

In The Tall Grass (2019, dir. Vincenzo Natali)

A pregnant woman and her brother are lured into a field of tall grass. This expansion of the Stephen King/Joe Hill novella begins well, but unravels when fresh material is introduced. Intriguing hints in the original are under-explored, and what’s new confuses rather than deepens. A disappointment, not least from this talented writer/director.