The Day Shall Come (2019, dir. Chris Morris)

A deluded preacher is set up by the FBI as an active terrorist. While there are some solid performances and a few great moments, this is a bit of a mess, lacking the focus and heart of the superficially-similar Four Lions. A shame, as there’s talent on display, and Morris is a dark genius.

Men In Black 3 (2012, dir. Barry Sonnenfeld)

Agent J has to travel back to 1969 and team up with the younger Agent K to defeat a time-travelling villain. Superior third instalment, building on fan affection for our alien-fighting duo, and working in terms of comedy, pathos and action. The best of the series.

Crawl (2019, dir. Alexandre Aja)

A student and her estranged father are trapped in a house full of alligators during a hurricane. A tense and fun single-location horror thriller that makes the most of its excellent effects and actors, wringing every last sliver of tension from its gleefully B-movie premise. Recommended.

Geostorm (2017, dir. Dean Devlin)

Weather control satellites are interfered with to cause global destruction as part of a conspiracy. Longtime Roland Emmerich cohort Dean Devlin pastiches the RE formula, but hasn’t the same panache; this is a lumpy blockbuster that makes little sense.

Another perspective required? Here’s Xussia’s take.

Cars 3 (2017, dir. Brian Fee)

The now-veteran racer Lightning McQueen has one last chance to prove he’s still competitive. Perhaps the best in the trilogy of Pixar’s least likeable franchise, this is a good-looking cartoon with a couple of laughs and a bit of heart.

Another POV? Here’s Lemonsquirtle’s review.