A gang of misfit teens battle a supernatural beast which feasts on their hometown once a generation. Excellent version of the ‘then’ portion of the Stephen King novel (1950s in the book, now 1989), with good performances and effective scares all round. Recommended.
Want another perspective? Here’s Xussia’s take.
Two elite agents work to uncover a dark secret at the heart of a gigantic space station. Clunkily-scripted and unevenly-acted but undeniably spectacular and well-designed SF fantasy; a $200m auteur piece, for good or ill, and all the better for its distinctiveness.
Another view? Here’s Lemonsquirtle’s thoughts.
Immortal warriors battle across time; matters come to a head in contemporary New York. Daft but entertaining SF/fantasy hybrid, with decent performances, flashy direction and now-quaint visual effects. As 80s as it gets.
A fantasy-oriented retelling. The second act is fine swashbuckling nonsense, but this version is stuck with lumpen first and third acts which set up unnecessarily complex (and irrelevant) backstory. Still, some fun to be had, and there’s one very neat idea about Excalibur.
A fatherless boy is hunted as both the potential saviour and destructor of the multiverse. Impressively-designed and well shot, this is nevertheless an oddly perfunctory and rushed movie, cherrypicking 90 minutes of action from the Stephen King fantasy cycle.
Fancy another point of view? Here’s Lemonsquirtle’s review.
The Ghostbusters have to reunite to battle another supernatural threat to New York. As much a remake of the 1984 original as a sequel, this passable reprise lacks the first film’s freshness, but has a few good lines and performances nevertheless.
The last remnants of the rebellion flee the First Order. Superior eighth instalment of the space opera, daring to ring a few changes on the template re-established by its predecessors while bringing new characters further to the fore.
Other opinions? Here’s Lemonsquirtle’s, and here’s Xussia’s.