An orphan seeks revenge on the fashion maven who killed her mother. Confident, stylish, though thin and overlong prequel to 101 Dalmatians. Basically a supervillain origin story (Cruella is Tim Burton-era Batman, plus Joker and Catwoman here) though borrowing from all-sorts, including The Terminator. MVP is Paul Walter Hauser, though everyone is in on the joke.
A chaotic Londoner begins to repair her broken relationships when she meets a handsome stranger. Schematic sub-Richard Curtis romantic comedy which, a few good lines aside, clings to the clumsiest of premises. Heartless, but harmless: Henry Golding makes for am impressive beau though.
A headstrong tomboyish princess battles with her mother when she is to be betrothed for political reasons. Perhaps the most Disneyish Pixar movie to date, Brave benefits from its focus on mother/daughter relationships and from a dark magical turn that sits awkwardly with the knockabout stuff elsewhere.
A probationary agent finds herself partnered with an MIB legend when an intergalactic crisis looms. Stuttering series reboot, transplanting a star pairing from another franchise with indifferent results. Okay action, poor comedy. Misunderstanding what made the first movies successful results in a film that was more fun to make than it is to watch.
Agent J has to travel back to 1969 and team up with the younger Agent K to defeat a time-travelling villain. Superior third instalment, building on fan affection for our alien-fighting duo, and working in terms of comedy, pathos and action. The best of the series.