Death on the Nile (1978, dir. John Guillermin)

Hercule Poirot holidays in Egypt; murder is soon afoot. Quasi-sequel to Murder on the Orient Express. Breezy escapist fun with a rich cast of character actors and bright young things hamming/preening respectively, though its clumsy treatment of non-whites plays as racist rather than as innocent comic relief.

The Spy Who Loved Me (1977, dir. Lewis Gilbert)

James Bond teams up with a Soviet agent to track missing submarines. Swaggering, confident series entry which effectively (and not for the last time) remakes You Only Live Twice. Roger Moore on fine twinkly form.