Biopic of Italian-American boxer Jake LaMotta. Unflinching warts-and-all account of the turbulent life and times of the New York middleweight, based on LaMotta’s autobiography. One of Scorsese’s finest, and thus one of the greatest American films.
A retired assassin returns to the fray. A glorious stylised neo-noir action flick with a neat mythology, splendid choreography, crisp direction, some sly humour, and committed performances all round. The 2014 state of the action movie-making art.
A newcomer to an English village finds she’s in the middle of a coven on a recruitment drive. Straightforward Hammer black magic thriller which makes something of the contrast between the twee rural locale and the over-the-top rituals.
A disillusioned Hollywood actor falls foul of a serial killer. Part existentialist Tinseltown treatise, part straightforward stalker thriller. A passion project made with the writer/director’s starry mates (Goggins, Wahlberg) helping out. Not terrible.
A bank-robbing couple on the run stray onto a psycho’s personal amusement park of murder. Grim though effective retro-horror drawing inspiration from the likes of Hills Have Eyes and Texas Chainsaw Massacre. Much blood in the desert dust ensues.
A cellphone-spread virus zombifies the US. Decent, downbeat, and low-key adaptation of the 2002 Stephen King novel, with some solid performances from now B-list talent, and a few interesting ideas among the generic z-apocalypse road-movie-on-foot tropes.
Vegas, present day. Mismatched burnout cops Cage and Wood plan a heist on a mob-controlled safe house. Smart little black comedy thriller with a focus on character rather than action. Low-key, but worth your while, and with some decent twisty plot work.