40 years later, Michael Myers escapes to track down Laurie Strode again. Decent-enough and respectful series reboot (ignoring all the sequels), albeit one which feels too restrained. Some awkward storytelling doesn’t help either, one lovely moment and one great child actor aside.
A boy lives in a railway station clock. Splendid family adventure, as well as a love letter to early cinema. Scorsese enjoying playing in a new genre and with some fresh cinematic toys, not least the remarkable use of 3D. Hugely recommended.
Biopic of Neil Armstrong, from test pilot to Apollo 11 days. An impressionistic, oblique approach doesn’t really penetrate the subject, leaving Gosling free to offer another blank, introverted performance. Impressive rather than good, though with a sterling cast of character actors in support.
A blocked writer seeks refuge in his deceased aunt’s haunted house. Awkward comedy-horror with neither enough scares or laughs. Some weird moments linger, but the overly-busy screenplay (Vietnam trauma, childhood bereavement, etc) and flat TV-style lighting and direction don’t help.
Reggie, now diagnosed with dementia, tries to tell others about The Tall Man. Episodic fifth and final (?) instalment, which ties up some loose ends. Low production values, poor digital effects, and lack of narrative coherence are offset somewhat by affection for the ageing actors/characters.
Reggie tracks down Mike, after the events of part III. Low-budget series continuation – reliant on re-used footage from earlier instalments – which tries to freshen things up by adding a prequel element, though the mix is pretty much the same as before. Nothing for newbies here.
Reggie teams up with two fellow travellers to find Mike. Decent series continuation with some neat asides about middle America. For fans only by this stage, but a few striking moments for newbies as well.