Skyfire (2019, dir. Simon West)

A luxury resort is threatened by an active volcano. Updating When Time Ran Out via bits of the Jurassic Park franchise, this hubris-tastic disaster movie is a gleeful treat, embracing the all character tropes and situations you’d expect. It’s something of a masterclass in pacing and jeopardy: huge amounts of unpretentious fun. Recommended.

Here’s the trailer.

Greenland (2020, dir. Ric Roman Waugh)

An estranged couple and their young son battle to safety during an extinction-level event. Alternately hokey and darkly impressive, this riff on Deep Impact via World War Z succeeds best in its focus on character and on throwing rocks (metaphorical and literal) at its characters. Not bad if you go with it.

Here’s the trailer. And here’s another POV.

Airplane! [AKA Flying High] (1980, dir. Jim Abrahams, Jerry Zucker & David Zucker)

An ex-pilot with PTSD has to take control of a passenger jet when its crew are struck by food poisoning. Still-dazzling deadpan parody of 1970s disaster movies (and Zero Hour before them). Some gags and attitudes have dated, but the film’s commitment to strong jokes per minute astonishes. A weak sequel followed.

Here’s the trailer.

The Day After Tomorrow (2004, dir. Roland Emmerich)

A scientist warns against a new ice age: when it hits, he embarks on a quest to rescue his son. Earnest though daft ecological disaster flick: its environmental messaging gets somewhat lost in soap operatics, awkward storytelling, and contrived menace.

Here’s the trailer.

Avalanche (1978, dir. Corey Allen)

An exclusive new ski resort is threatened by the chance of avalanches. Tatty disaster movie from the end of the 70s cycle of the genre; much use of stock footage in the mayhem scenes. Mercifully brief, however, and it’s always good to see Robert Forster.

Geostorm (2017, dir. Dean Devlin)

Weather control satellites are interfered with to cause global destruction as part of a conspiracy. Longtime Roland Emmerich cohort Dean Devlin pastiches the RE formula, but hasn’t the same panache; this is a lumpy blockbuster that makes little sense.

Another perspective required? Here’s Xussia’s┬átake.

Titanic II (2010, dir. Shane Van Dyke)

A centenary cruise commemorating the first voyage of a new Titanic suffers a similar fate. Typically tatty mockbuster from The Asylum featuring inadequate CG, a slumming character actor (hi, Bruce Davison), and a variable approach to science. Not even fun if watched as camp.